– Or When a Project Gets Out-of-Hand –
Projects, for me, often get out of hand. I always set out trying to think of the most unique and interesting way to achieve the goal of assigned projects (especially with projects I am passionate about), and, usually, I end up compromising towards the end (closer to the due date) because I find that I lack the skill to accomplish such ambitious projects.
Perhaps this is why writers block is such a common issue for me – it’s not that I don’t have ideas, it’s that I am afraid that I will end up settling for a half-assed product.
Well, not really half-assed. I always push myself, and try to create the best possible end product, but I find my ambition exceeds my skill. For example, for my midterm project in my Honors Colloquia, I was going to create a website for the aggregation of my thoughts on the Whedonverse. Luckily for me, when I sat down to plan out my study/work schedule, I realized I was creating more work for myself than needed. So I settled for designing a booklet from scratch. It only took me about 4 hours to do, and I am proud of it, but can you see where my reasonable-project meter might be off? I had another project due this week, have to get a head start on my homework for next week, and have real-life adult work that eats up valuable project time. I am lucky I knew exactly how to create the type of booklet I wanted, or this would have been yet another project I ended up disappointed in.
I guess I understand where this comes from – I care about the subject matter, so I try to push myself when creating something around said subject. But, what I don’t understand is the disappointment. I push myself, I try new approaches, and sometimes that results in a less than perfect product. At least I can say I tried something new, right? Unfortunately, that’s the opposite of the case – I set off to be perfect and failed. Failure stings.
I guess the point of this meandering post is that I push myself, fail, and then rail against the failure. Sometimes the best thing to do is to get up, and start working again. Improve, rather than complain.
October 24, 2013
Take the Sky From Me
emigee93 anchor characters, anchor points, firefly, joss whedon, narrative construction, plot engl3844, The Whedonverse, Unsolicited Opinions, Writing 0 Comments
– Or Why Firefly is Different from Buffy, and How It’s Air Schedule Crippled It Narratively –
Aside from the obvious, Friefly demonstrates a departure from the narrative structure of Buffy. Starting from the episode Serenity, which is the canonical starting point for the series, viewers are thrown into the end of a war that serves as a backdrop and anchor into the setting that Mal and Zoe are a part of. Over the course of the episode, we are introduced to the well established crew – family – of the Serenity, rather than watching the crew form (as with the Scooby Gang in Buffy). All of this would be super overwhelming were it not for Simon, River, and Book, three passengers on the Serenity who get caught up in the crew’s antics. These three characters provide a relatable and stable (or unstable, in the case of River) anchoring point for views to get used to the banter, relationships, and conflicts common to Mal’s motley crew.
The way Firefly was aired, however, ruins this anchoring point.
Firefly’s first official episode, according to Fox, is The Train Job, which, in order of filming and production was the second episode. In this version, all viewers have in the way of anchoring is a short series of clips from the first episode narrated by Book, and even that doesn’t fully explain what the hell is happening. The bar fight does little to explain Mal all that much (though, he is a rather complex character, so not a whole lot of introductions are adequately going to explain Mal), or Zoe, or Jayne. Or Wash, for that matter. Simon and River are already established parts of this small community (though they are still outsiders) and Book is really…full of questions.
This, understandably, leaves the audience confused.
In any good work of fiction – book, television, movie, or otherwise – it is vital that you give the audience what I have been calling ‘anchors.’ These are concrete details about the setting, the main characters, or the plot that the reader can latch onto before they figure out how the universe they are entering works. In Firefly, the passengers Mal picks up are anchor characters – they are just as confused and out of their element as the audience is. When thrown into a show where the anchor characters have already been explained in an unaired pilot, the audience is left groping for a handhold and are let down. This causes them to abandon the story except for a few heroic cases (the original Browncoats).
To avoid turning this into a rant against Fox, I will end on this – Firefly is a weird story. It is a non-conventional mash up of the Sci-fi and Western genres and a mash up like that requires narrative anchors, or the story will never float. Joss seemed to have provided those anchors in Serenity, which where then not provided by the cable network. The situation surrounding this show is, of course, complicated, but some of the blame (I think) on why it failed is because the airing order and dates provided by the network ruined the narrative construction of the series.