This week we will take on images and sound, reading John Szarkowski’s exhibit catalogue from The Photographer’s Eye. This was an exhibit at the MoMA, so it is light on textual interpretation and requires a good deal of visual scrutiny, which is appropriate for a work of visual rhetoric. However, I have also made available a chapter on photography in pdf form from the Oxford History of Art series in the Canvas files section. This is optional but recommended to help give you some background on the transformation of photography — technologically and culturally. Fixing an image permanently on a surface through the imprint of light began in 1839. Throughout most of the 19th century it was difficult and not standardized, mostly the province of tinkerers, professionals, and artists. The development of celluloid film (replacing glass plate, which replaced daguerrotypes) and mass production of cameras, led by George Eastman, helped democratize access to film photography, which reigned throughout the 20th century. The 21st century brought almost the complete transformation to digital photography, with a small countermovement for traditional photo techniques and practice. (Lucky students will learn about these in my fall grad public history course).
For your blog post this week, I want you to choose two images — one an image from outside the class and one an image from the Szarkowski text — and give us an analysis and preliminary interpretation of the photo. Who is the photographer, what is the composition, what is the tonality, what is the depth of field, what is content depicted, what is the time of day and location, and what is the message or feeling that the image is supposed to convey? Include the images within your blog post.
You should continue your listening through these weeks of production, and your interest should increase to include thoughts about the logistics of sound recording and editing. Before your interviews, you should know exactly how you are recording, using what equipment, and how you are storing or backing up your files. If your audio file(s) exist(s) only in one place, it may as well not exist, because any storage medium can be corrupted in a second. Get it in the cloud ASAP. If you are doing an interview over the phone, it requires different equipment and practice — what models do you draw on for this? If you are using skype or a google hangout, what are the recording options? This is for you to explore and practice before you sit down with the informant. In many cases a podcast will have an FAQ or some section devoted to their logistics, so you should read or listen about these to get a sense. One of the most important things is to minimize the echo-ing sound that comes from too many hard surfaces. Get an external microphone in some fashion and make sure it is positioned away from a flat hard surface. If you only have a table, cover it with some fabric — a tablecloth, a coat or a sweater, whatever you have.
During class I will give an introduction to editing in Audacity (30-45 minutes).